The River Project considers the Upper Georges River that runs through south west Sydney within the larger context of river systems of Asia and the Pacific by bringing together artists from Australia, China, India, Korea, Papua New Guinea, the Philippines and Vietnam whose work explores river systems. River Systems reflect our interconnectedness, our fragility and [...]

Possibly the largest ‘equals’ sign you’ll see in a book design, with English and Japanese translations and silver special inks throughout.

Works investigating notions of identity, tradition and globalisation by contemporary artists with varying connections to China.

Do people’s faces tell a story of their lives? Is 60 the new 40? What does it mean to age in a time where no one really wants too?

Named in the top ten art publications internationally by the international journal Art Asia Pacific.

As curator Lizzie Muller states: “Both art and technology act as mirrors that reflect ourselves and our relationship to the world. Both also create “quasi-others”– entities which we endow with subjectivity through the projection of ourselves.”

Who would of thought that a Nirvana song could have influenced Tom Polo’s exhibition, I Am Worse At What I Do Best?

The exhibition catalogue explored the gallery’s promotion of abstraction in Australian art, its role in facilitating an exchange between Melbourne and Sydney artists, its influence in introducing to local audiences a number of New York artists, and its contribution towards a growing internationalism in the Australian art world.

An exhibition catalogue for a major three-year project that brings together some of the most exciting contemporary artists from across Australia, Asia and the Pacific

Boccalatte was invited to art direct and design this launch exhibition.